Saturday, 3 May 2014

Evaluation - Question 6

What have you learnt about technologies from the process of constructing this product?
In the making of my thriller film, I learnt a lot about the technologies that go into constructing a proffesional looking sequence. I used these technologies to my advantage in order to make my video as good as possible.
The video editing software I used was Final Cut Express 4. This is a professionally used program specialising in the creation of high quality videos. It enables you to include many different video and audio effects/transitions, and is very versitile in enabling you to manipulate media in your timeline or even applying video filters. One I was done editing my video, I could export it in a variety of different formats and resolutions. I chose to export my thriller in the maximum 1080p resolution in a H.264 format that is YouTube friendly. With Final Cut I was able to create my film exactly how I had invisaged, and found the program a pleasure to work with despite its few flaws.

I also used Adobe After Effects CS4 and Soundbooth CS4 in building my video. I used after effects primarily to create animated text overlays and credits. It offered a collection of different animated transitions to choose from, that allowed me to create text that fitted the mood of the film. I also used After Effect's stabilization funtions to reduce unwanted shaking within some clips. Adobe Soundbooth I used for audio manipulation. I could add echos, reverb, and a whole host of other effects to the audio just in a few clicks of a mouse. An example of what soundbooth enabled me to do was at the very end of my opening, where the audio echo's to a silence. This effect was created on Soundbooth.
During the constrution of Breath, I also learnt much about video itself. Different video formats and frame rates gave me many hurdles to overcome when filming and editing my film. The first step I made was to make my DSLR camera to record in 29.9 fps MP4 format in prefference to AVCHD, as it was less compressed and more editing/conversion friendly. When editing I found it very beneficial to convert the MP4 files into Apple Intrmediate codec. I did this to save time when editing, as rendering is not required in Final Cut when working with AIC files. Finally I exported my video in 24fps H.264 format as it was a streamable file format accepted by YouTube. Before constructing Breath, I never knew there were so many variations of video formats. I learnt that each format has its own characteristics, and some are more suitable than others depending on the task.
 
Filming my thriller also gave me an oppertunity to experiment with lighting. I found the correct lighting to be very important to the quality of the final product. Fortunately, much of my footage was shot outside on a rather sunny day, therefore light was adequete for filming. Inside however, artificial lighting was required. Not only did this make it easier for the audience to see what was going on, it also reduced visual noise and improved the quality of the image. Looking back at the beggining of my video, indoor scenes could have done with a bit better lighting, but this learning curve I can use to improve my future projects.
When filming Breath, I used a variety of equiptment to get just the right shots and angles. One of my most interesting peices of equiptment was my Mobius Actioncam in partnership with its custom made waterproof casing. The tic-tac box like size and shape of the camera made it perfect to acheive great action shots not possile with most other cameras. All shots on board the bike were filmed on the Mobius and was ofcourse used for the final, underwater shot. The versitility of the camera and the mounts it could be used with meant I could attach it to pretty much anything. Velcro mounts, headcam mounts, suction cup mounts and handlebar mounts are just some of the attachments I used to acheive certain angles. Despite its small size, it films in full 1080p at 30fps or 720p at 60fps, which is more suitable for extremly fast action.

Despite the actioncam being key in getting certain shots, it was not suitable for everything. When filming off the bike, I chose to record with my DSLR camera instead. Although recording in the same resolution, it provided more megapixels and a better depth of field, along with more pratical reasons like the fact you can instantly watch back your footage and it was easier to get a steady shot.


Another concideration I made was which lens I decieded to use for each shot. I used two lenses for my DSLR in my thriller opening. There were an 18-55mm and a 75-30mm teloscopic lens. My judgement was based on how far away the subject was, how still the camera needed to be and how much depth of ield was reccomended. Whilst the telescopic lens allowed me to zoom into objects from a lot further away and gave the shot a further depth of field, it also caused a very small judgement of error when stabilizing the shot, meaning one small jolt could ruin an entire shot. This problem worsens as you zoom further and further in, despite the cameras built-in stabilisation features. The majority of the shots were taken using the 18-55mm lens, as my subjects were generally close to the camera and I could capture wider angled shots, hence it was more suitable for the occasion.

Finally, I had to make whilst filming my thriller opening is the memory of which I would store the footage on. I opted for a 16gb high speed SD card in my DSLR, and a class 10, 8gb mico SD in my mobius. This provided me with more than enough space to hold my footage and I could easily transfer the data from the cards to my computer at high speeds.







Monday, 28 April 2014

Evaluation - Question 1

In what ways does your media product use, develop or challenge forms and conventions of real media products?

My thriller opening generally follows many trends found in thriller openings from similar movie genres. I have understood and incorporated various media conventions in my opening, giving it the sense of suspense, tension and anticipation, giving the audience feelings of which I aimed to generate. Like many similar genre films, it starts with an action-packed chase involving an innocent teenage boy, being followed by a mysterious man we know very little about. The chase is a very common feature in action movies, such as the latest installment of James Bonds, Skyfall. Whilst on a far lower budget, my thriller opening aims to create the same sense of excitement and suspense as Skyfall created in the fist few opening minutes. Here is the opening of Skyfall, used to inspire my thriller opening.


The idea of a protagonist and victim is also a known thriller convention. The victim, being played by the teenage boy, is on a simple bike ride around his local park, which ends in plotted murder carried out by the protagonist, a suited, mysterious man. this poses similarity to films in the genre, with their being a good guy a bad guy, much like in the Skyfall extract above. The audience instantly roots for the good guy (or victim in this case), and the film generally ends in them being triumphant over the villain. 

One of the most important features of a good thriller opening is to intrigue the audience and make them want to see more. This is exactly the feeling I would like leave my audience with once they finish watching my thriller opening. To do this, I tried to create an enigma, a state where my audience will be asking many questions about who the people are, what they are doing and why they are doing it. The feeling of borderline confusion means I can trigger my viewers inner curiosity, encouraging them to continue watching. This method I have adopted by analyzing film openings in similar genres to mine. It may be evident throughout my opening sequence, that despite their being diegetic sound, there is no dialogue whatsoever. This is a good way to build mystery as very little is given away about the protagonist in particular. This adds to the sense of enigma I was intending to create.

Using the Skyfall extract as an example, high-tempo thriller openings almost always incorporate little or no video transitions in preference to simple cuts. This is to build a significant feeling of suspense, urgency and tension resulting in a climax of the boy being forcefully removed from his bike without explanation and thrown into the boot of the protagonists car. Through the loudening soundtrack and thoughtfully cut video, I was able to allow the audience to anticipate an event through audio and visuals alone. This was one of the biggest successes of my thriller, as I was able to capture the same emotions felt by my audience during my opening as in higher budgeted films.

Finally, the selection of my overlaid text during my film was also crucial in setting the scene. An appropriate choice of text was used to reflect the mood. The text can subconsciously take away from the seriousness and intensity set, and it is very important that the design and theme of text is chosen correctly. The text inserted in my opening generates a rather sinister, horror feel, resembling the dark intentions of the mysterious man in the suit pursuing the innocent boy in the sequence. Whilst all thriller openings include titles, not all get it right. This can take away from the intense experience that you may aim to create. The order of text shown can also be significant in defining key differences between your opening with a trailer.

My thriller opening follows various conventions which combined, make my opening a captivating piece which sends all the right impressions to my audience to create the emotions I intended to portray.

Saturday, 26 April 2014

Breath - The Almost Final Cut

Here is the latest edit of my film thriller opening, Breath. Enjoy!